影視動(dòng)畫造型基礎(chǔ)

第1章 影視動(dòng)畫造型淺析                  
                   
 1.1 影視動(dòng)畫中造型的意義                  
 1.2 歐美. 日本及中國(guó)動(dòng)畫風(fēng)格淺析                  
 1.3 影視動(dòng)畫造型分類                  
 1.3.1 寫實(shí)類                  
 1.3.2 寫意類                  
 1.3.3 抽象符號(hào)類                  
 1.4 小結(jié)                  
 思考與練習(xí)                  
                   
 第2章 影視動(dòng)畫造型的創(chuàng)作規(guī)律與方法                  
                   
 2.1 創(chuàng)作中常見的“組成符號(hào)”及繪制方法                  
 2.1.1 眼睛眉毛的常見畫法                  
 2.1.2 鼻子和嘴的常見畫法                  
 2.1.3 手的繪畫方法及要點(diǎn)                  
 2.1.4 腳的常見畫法                  
 2.2 動(dòng)畫造型創(chuàng)作技法                  
 2.2.1 原型演繹法                  
 2.2.2 “嫁接”法                  
 2.2.3 重疊影印法                  
 2.2.4 局部借用法                  
 2.3 小結(jié)                  
 思考與練習(xí)                  
                   
 第3章 影視動(dòng)畫造型創(chuàng)作基礎(chǔ)                  
                   
 3.1 人物的面部表情                  
 3.2 影視動(dòng)畫造型設(shè)計(jì)中的透視基礎(chǔ)                  
 3.2.1 視平線                  
 3.2.2 一點(diǎn)透視                  
 3.2.3 兩點(diǎn)透視                  
 3.3 動(dòng)作草圖——?jiǎng)討B(tài)線及簡(jiǎn)化骨骼                  
 3.4 比例圖                  
 3.4.1 人物的比例圖                  
 3.4.2 道具的比例圖                  
 3.5 結(jié)構(gòu)圖                  
 3.6 轉(zhuǎn)面圖                  
 3.6.1 人物的轉(zhuǎn)面圖                  
 3.6.2 小熊頭部的轉(zhuǎn)面圖                  
 3.7 表情圖                  
 3.8 形象氣氛?qǐng)D                  
 3.9 動(dòng)畫人物的服裝與飾物                  
 3.9.1 有代表性的服裝                  
 3.9.2 為形象選擇合適的服裝                  
 3.9.3 未來高科技的服裝                  
 3.10 畫褶皺要注意的地方                  
 3.10.1 衣服褶皺                  
 3.10.2 面部褶皺                  
 3.11 人物的發(fā)型                  
 3.12 交通工具的畫法                  
 3.13 小結(jié)                  
 思考與練習(xí)                   
                   
 第4章 影視動(dòng)畫造型中分類的創(chuàng)作技巧                  
                   
 4.1 怎樣畫人物？                  
 4.1.1 人體結(jié)構(gòu)                  
 4.1.2 人種的差異                  
 4.1.3 年齡的差異                  
 4.1.4 頭部簡(jiǎn)化結(jié)構(gòu)                  
 4.1.5 英雄人物                  
 4.1.6 男孩                  
 4.1.7 惡魔                  
 4.1.8 可笑的男人                  
 4.1.9 女人                  
 4.1.10 性感的美女                  
 4.1.11 小孩                  
 4.1.12 嬰兒                  
 4.1.13 運(yùn)動(dòng)的關(guān)鍵——關(guān)節(jié)點(diǎn)                  
 4.2 怎樣畫動(dòng)物？                  
 4.2.1 快樂的小熊                  
 4.2.2 貓科動(dòng)物                  
 4.2.3 犬科動(dòng)物的畫法                  
 4.2.4 家禽                  
 4.2.5 鳥類                  
 4.2.6 爬行. 兩棲動(dòng)物                  
 4.2.7 海洋生物                  
 4.2.8 昆蟲                  
 4.3 怎樣畫怪物和另類生物                  
 4.3.1 外星生物                  
 4.3.2 外星人                  
 4.3.3 怪物的顏色                  
 4.3.4 叢林怪物                  
 4.3.5 小精靈                  
 4.4 其他類型的動(dòng)畫形象                  
 4.5 泥塑                  
 4.6 “特殊”效果符號(hào)淺析                  
 4.7 表現(xiàn)幽默的元素和技巧                  
 4.8 動(dòng)畫造型設(shè)計(jì)中的關(guān)鍵點(diǎn)                  
 4.9 小結(jié)                  
 思考與練習(xí)                   
                   
 第5章 影視動(dòng)畫造型的不同風(fēng)格賞析與應(yīng)用                  
                   
 5.1 “另類風(fēng)格”動(dòng)畫造型賞析                  
 5.2 動(dòng)畫形象在商業(yè)上的應(yīng)用                  
 5.3 國(guó)外優(yōu)秀插畫欣賞                  
 5.4 四格漫畫創(chuàng)作練習(xí)                  
 5.5小結(jié)                  
 思考與練習(xí)                   
                   
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